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ART PATRON
stuart cary welch
a man for all seasons
Stuart Cary Welch's A King's Book of Kings opens in a style typical of
the man: "It is a heavy book, almost too big to handle, intended
for special occasions, portentous but entertaining." The book was written to accompany the 1972
exhibition at the Metropolitan Museum of Art of the breathtaking, monumental manuscript of the
Shahnameh, made for Shah Tahmasp in the second quarter of the 16th century. It is a manuscript now
famous and revered as one of the greatest works of art of any era or culture, but at that time it was just
emerging from decades of obscurity, mostly through the groundbreaking scholarship and visionary
curatorial efforts of Welch, then already established as one of leading experts in the field. The exhibition
was a landmark event in terms of Persian art history and mounted to coincide with the 2500th
anniversary of the foundation of the Persian Empire at Persepolis.
The language and spirit of this short descriptive sentence is typical of Welch's ability to speak evocatively to the reader, both specialist and non-specialist, using simple but powerful language. As well as
a pioneering art historian, curator and collector, he was a great communicator, visually, verbally
and in written form, and the success and popularity of his numerous exhibitions
on Indo-Persian art, as well as his magnetic prowess as a
lecturer at Harvard University and the popularity of his
publications, are testament to this aspect
of his polymathic talents. These skills were combined with an extraordinary energy and
dynamism, allowing him to work simultaneously
on multiple exhibitions and publications while
continuing his museum work and university
teaching, a workload that he sustained for years
on end.
Welch was born in 1928 in Buffalo, New York. His
father was an architect and his mother's family
owned the Buffalo Times newspaper. He was a
child prodigy in terms of his relationship with art,
becoming a talented draughtsman and caricaturist
and he began collecting as a child. At the tender
age of 10, he acquired some Old Master prints
and proceeded to drawings when a teenager.
His interest in the art...
TEXT BY MARCUS FRASER
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